Paloma Valdeavellano is a popular educator, human rights activist, and a prominent videographer active during the 1980s and 1990s. She has also collaborated on projects with other filmmakers, such as María Barea's feature film Antuca (1992). In the early 1970s, Valdeavellano worked at the Ministry of Education implementing progressive programs for non-formal education in impoverished neighborhoods. Through this work, she became involved with the Popular Communication Center in the newly established Villa El Salvador neighborhood of Lima. In the 1980s, she began using video for education at the Center for International Self-Management Information and Development (CIDIAG) and became involved in the Peruvian video movement, participating in IPAL (Institute for Latin America). In the late 1980s, Valdeavellano organized and participated in international meetings of video artists (Argentina, Uruguay, Chile, Costa Rica, Cuba) that were fundamental to the consolidation of video as an educational and popular communication tool in Latin America (Seguí, 2024). In 1989, he compiled the book Video in Popular Education, which includes his essay "Latin America Is Building Its Own Image," a key synthesis of the movement.
Female
Feature films starring Paloma Valdeavellano