(Конец Санкт-Петербурга или Новый Икар)

Content: 1992, the time of the Perestroika. Inspired by Vsevolod Pudovkin’s “The End of St. Petersburg” (1927), the artist chooses the Greek mythological figure of Icarus as a person falling apart from the diversity of temptations and creates a romantic performance-self-portrait.

Countries:

Russia

Genres:

Runtime:

6 minutes

Year:

1992

Directors:

Eduard Shelganov

Actors:

Crews:

Director